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HOW FAR WILL GIRLS GO FOR MONEY? - Social Experiment
Fink, was originally about a hard-edged New York City police inspector, Harry Callahan , who is determined to stop Travis, a serial killer, even if he has to skirt the law and accepted standards of policing, blurring the distinction between criminal and cop, to address the question as to how far a free, democratic society can go to protect itself. Another earlier version of the story was set in Seattle , Washington. Four more drafts of the script were written. Although Dirty Harry is arguably Clint Eastwood's signature role, he was not a top contender for the part. Scott claimed that he was initially offered the role, but the script's violent nature led him to turn it down. Although ABC wanted to turn it into a television film, the amount of violence in the script was deemed excessive for television, so the rights were sold to Warner Bros. Sinatra was 55 at the time and since the character of Harry Callahan was originally written as a man in his mid-to-late 50s and Eastwood was then only 41 , Sinatra fit the character profile. Milius claimed he was requested to write the screenplay for Sinatra in three weeks. Details about the film were first released in film industry trade papers in April, September and November , with Frank Sinatra attached as Harry Callahan and Irvin Kershner listed as director and producer, with Arthur Jacobson acting as associate producer. Burt Lancaster turned down the lead role because he strongly disagreed with the violent, end-justifies-the-means moral of the story. He believed the role and plot contradicted his belief in collective responsibility for criminal and social justice and the protection of individual rights. He would also turn down the lead in The French Connection the same year, giving the same reason. Believing the character was too "right-wing" for him, Newman suggested that the film would be a good vehicle for Eastwood. Warner Bros offered him the part while still in post-production for his directorial debut film Play Misty for Me. By December 17, , a Warner Brothers studio press release announced that Clint Eastwood would star in as well as produce the film through his company, Malpaso. Eastwood was given a number of scripts, but he ultimately reverted to the original as the best vehicle for him. I said, 'I'm only interested in the original script'. They had Marine snipers coming on in the end. And I said, 'No. This is losing the point of the whole story, of the guy chasing the killer down. It's becoming an extravaganza that's losing its character. Siegel was under contract to Universal at the time, and Eastwood personally went to the studio heads to ask them to "loan" Siegel to Warner. The two had just completed the movie The Beguiled In a later novelization of the film, Scorpio was referred to as "Charles Davis", a former mental patient from Springfield, Massachusetts who murdered his grandparents as a teenager. Among the differences are: Audie Murphy was initially considered to play Scorpio, but he died in a plane crash before his decision on the offer could be made. Eastwood had seen Robinson in a play called Subject to Fits and recommended him for the role of Scorpio; his unkempt appearance fit the bill for a psychologically unbalanced hippie. Robinson's portrayal was so memorable that after the film was released he was reported to have received several death threats and was forced to get an unlisted telephone number. In real life, Robinson is a pacifist who deplores the use of firearms. Early in principal photography on the film, Robinson would reportedly flinch in discomfort every time he was required to use a gun. As a result, Siegel was forced to halt production briefly and sent Robinson for brief training in order to learn how to fire a gun convincingly. And the attitude of Dirty Harry, being a cop who was ruthless. I think it's fairly obvious if you look at the rest of my work what parts are mine. The cop being the same as the killer except he has a badge. I wanted it to be like Stray Dog ; I was thinking in terms of Kurosawa's detective films. In my script version, there's just more outrageous Milius crap where I had the killer in the bus with a flamethrower. I tried to make the guy as outrageous as possible. I had him get a police photographer to take a picture of him with all the kids lined up at the school — he kidnaps them at the school, actually — and they showed the picture to the other police after he's made his demands; he wants a to take him away to a country where he'll be free of police harassment [Milius laughs uproariously], terrible things like this. And the children all end up like a graduation picture, and the teacher is saying, "What is that object under Andy Robinson? I think Siegel restrained it enough. His face is clearly visible throughout the shot. Eastwood also directed the suicide-jumper scene. The line, "My, that's a big one," spoken by Scorpio when Callahan removes his gun, was an ad-lib by Robinson. The crew broke into laughter as a result of the double entendre and the scene had to be re-shot, but the line stayed. The final scene, in which Callahan throws his badge into the water, is a homage to a similar scene from 's High Noon. Siegel argued that tossing the badge was instead Callahan's indication of casting away the inefficiency of the police force's rules and bureaucracy.
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