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Plot[ edit ] Wade Wilson is a dishonorably discharged special forces operative working as a mercenary when he meets prostitute Vanessa. They become romantically involved, and a year later she accepts his marriage proposal; however, after Wilson is diagnosed with terminal cancer, he leaves Vanessa without warning so she will not have to watch him die. A mysterious recruiter approaches Wilson, offering an experimental cure for his cancer. He is taken to Ajax and Angel Dust , who inject him with a serum designed to awaken latent mutant genes. They then subject him to days of torture to induce stress and trigger any mutation Wade may have, but without success. When Wilson discovers Ajax's real name, Francis, and mocks him for it, Ajax leaves Wilson in a hyperbaric chamber that takes him to the verge of asphyxiation periodically over a weekend. It finally activates a superhuman healing ability that cures his cancer, but leaves him severely disfigured with burn-like scars over his entire body. He escapes from the chamber and attacks Ajax, but relents when told that his disfigurement can be cured. Ajax subdues Wilson and leaves him for dead in the burning laboratory. Wilson survives and seeks out Vanessa, but does not reveal he is alive because he is afraid of how she would react to his new appearance. After consulting his best friend Weasel , Wilson decides to hunt down Ajax for the cure. He becomes a masked vigilante, adopting the name "Deadpool" from Weasel picking him in a dead pool , and moves into the home of an elderly blind woman named Al. Deadpool questions and murders many of Ajax's men until one, the recruiter, reveals Ajax's whereabouts. Deadpool intercepts Ajax and a convoy of armed men on an expressway, killing everyone but Ajax. Colossus wants Deadpool to mend his ways and join the X-Men. Taking advantage of the distraction, Ajax escapes. He goes to Weasel's bar and learns of Vanessa. Ajax kidnaps Vanessa and takes her to a decommissioned helicarrier in a scrapyard. Deadpool convinces Colossus and Negasonic to help him, and they battle Angel Dust and several soldiers while Deadpool fights his way to Ajax. During the battle, Negasonic accidentally destroys the equipment stabilizing the helicarrier. Deadpool protects Vanessa from the falling ship, while Colossus carries Negasonic and Angel Dust to safety. Ajax attacks Deadpool again but is overpowered. He reveals that there is no cure, and despite Colossus's pleading, Deadpool kills Ajax. Deadpool promises to try and be more heroic moving forward. Though Vanessa is angry at Wilson for leaving her, she reconciles with him. A wisecracking mercenary with accelerated healing but severe scarring over his body after undergoing an experimental mutation. The character was initially designed as a "typical prostitute", but Baccarin worked with the costume and makeup teams to make her appearance more layered. An artificially-mutated member of the program that creates Deadpool,  he feels no pain and has enhanced strength. Miller attempted to give the character a facial tic, but director Tim Miller rejected the idea. An artificially-mutated member of the program that creates Deadpool,  she has superhuman strength and speed. Carano felt the character's rage and "extreme adrenaline issues" made comparisons to the drug " angel dust " fitting. A teenage X-Men trainee, who possesses the mutant power to detonate atomic bursts from her body. He is instead explained as a former special forces operative like Wilson. However, there were rights issues with 20th Century Fox and their X-Men films , and the project did not move forward. Wolverine , with Reynolds cast. His role was expanded during the production of that film. The character also apparently dies in the film, though a post-credits scene showing the character still alive was added to the film shortly before its release. After the successful opening weekend of Wolverine, Fox officially began development on Deadpool, with Reynolds attached to star and X-Men producer Lauren Shuler Donner involved. The spinoff was set to ignore the Wolverine version of Deadpool and go "back to the roots of the character known for his slapstick tone and propensity to break the fourth wall ". He said that they were chosen because, "Tonally, they got it. They just [understood Deadpool] right off the bat. Reynolds had also closed a deal with Fox to produce the film. The studio agreed after several meetings that the film could not be reconfigured to a more traditional PG rating, and gave Miller "a low-six-figure budget" to produce some test footage. Now, we get to make the movie. We don't get to make it with the budget of most superhero movies, but we get to make it the way we want to make it. He, Miller, and the writers had previously discussed leaking the footage themselves, and Reynolds initially thought that Miller had done it. He later believed that the leak came from someone at Fox. In exchange for being able to make the film how they wanted to, Fox gave the crew a much smaller budget than is typical for superhero films. They settled on a "modern" Deadpool story as well as the origin story, connected with Deadpool's narration and fourth wall breaking. This helped balance the darker origin story with the cartoon-like Deadpool scenes. It also allowed the opening fight sequence to be extended through the first half of the film with the origin story told throughout , saving money on additional fight scenes. In the scene, Deadpool wears a bath robe and tells the audience to go home. Changes included the removal of a motorcycle chase at the end of the Twelve Bullets Fight, and having Deadpool forget his bag of guns before the final battle sequence to avoid having a costly gun fight in the third act. Reese said, "It was that last, lean and mean chop that got us to a place where Fox was willing to make it. The script was very efficient and not too long. That was a function of budget more than anything, but I think it really made the movie pace nicely. Miller and Ed Skrein were in talks to appear in the film, Miller as "an additional comic voice" and Skrein as a villain. Shinkle noted that "comic book art is fairly over the top in terms of physique", and he tried to balance that with reality. That's hard to accomplish and a feat, but we're just so happy with how this came out. He described it as mesh that allowed dirt to "get into the gutters and the cracks Corso acknowledged the script's description of the character as disfigured but also wanted him to be "still kind of charming and iconic". He wanted to avoid comparisons to Freddy Krueger , and looked to Sin City for inspiration. Tim wanted to keep it really grounded. Filming took place in North Shore Studios and on location around the city. Miller and Baccarin were revealed to be playing Weasel and Vanessa , respectively,   and Skrein confirmed he was in the film, playing Ajax. Seng used Super Baltar lenses and Cooke zooms for the origin story timeline, as opposed to Panavision primo lenses for the Deadpool scenes which gave them more clarity. Exterior scenes in the film have a consistent overcast look, but location shooting came with "unpredictable" weather. The production had to be very specific about which elements of each set were built physically to conserve the budget for visual effects. For the final scrapyard scene, garbage was built to a certain height to be extended with CGI, and a gimbal was used for a tilting section of the yard that had to interact with a lot of digital elements. Rubber casts of the metal were made for stunts. Silvera in costume as Deadpool, on set in Vancouver. Silvera were the stunt coordinators for the film;  Silvera had provided motion capture reference for the test footage. Silvera said Reynolds "has a photographic memory; he'd do something three or four times and remember it very well. It's like the studio couldn't afford any more X-Men. Miller explained that Colossus would be a solely CGI creation in the film because, as a fan of the character, he had never felt that Cudmore's version was accurate to the comics and wanted to show the character as "this monstrous guy". He completed his work eight weeks before the film was scheduled for release. He removed jokes made after Vanessa is kidnapped because they felt inappropriately timed, and cut down other scenes with less jokes such as Wilson being tortured as they were "too much. You took too long to recover [and] get back in the irreverent spirit of the movie. They decided to go with interweaving the timelines to balance the different serious and silly tones. It was removed for pacing reasons, and was replaced with a short scene of Wilson sitting beside his window that was originally filmed to show him thinking about his diagnosis, but in the new context implies him re-thinking the recruiter's offer. Reynolds recorded new lines of dialogue using his iPhone, and then re-recorded the lines in an additional dialogue recording session once the film was finalized. Lines added after filming included Reynolds doing an impression of Wolverine star Hugh Jackman 's natural Australian accent, and another where Deadpool asks whether the character Professor X is being portrayed by James McAvoy or Patrick Stewart at that point in the X-Men timeline, which became a favorite line in the film for many audience members. These were up from a planned shots, with of them completed in the last four weeks of production. Andre Tricoteux on-set as Colossus, wearing a gray tracking suit. Colossus's movements were re-recorded with performer T. Storm , as Tricoteux had been unable to move athletically due to the platform shoes he had to wear on set to replicate the character's height. LaSalle was used for his facial performance. DD then mapped these performances onto a digital model that was designed to be comic-accurate. The team sought specific reference for Colossus's metallic finish to avoid looking "chromey", visiting a metal company to look at various samples. They settled on cold rolled steel , with the darker hot rolled steel used for his hair. The model also includes ridges on the character, which could be moved separately from the rest of the model to keep them always perfectly straight as in the comic books. His mask is animated around the eyes to be expressive as in the comics, which helped balance out the "chinwag" caused by Reynolds's acting coming through the bottom of the mask. Replacing Deadpool's head fully was going to be too costly, so Weta Digital instead warped each shot based on facial reference from Reynolds, and adjusted the lighting to reflect the changes. This was called an "ingenious 2D-ish solution". The vendor also created the vehicles in the sequence. It includes titles such as "Directed by an overpaid tool" and "Produced by asshats",  with Reynolds, Miller, and the writers coming up with their own credits in the hope of setting the tone for the rest of the film. When Deadpool cuts off his own hand, DD did not want to be "outdone" by Luma, and had "buckets of blood pouring out". Luma created the regrowing hand, inspired by the hand of a fetus. The company added a CG penis to Reynolds in the sequence, which "you don't even notice [but] when it wasn't there it looked really weird".
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