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MY LOOSE SKIN AFTER LOSING 130LBS
I am homesick after mine own kind, Oh I know that there are folk about me, friendly faces, But I am homesick after mine own kind. The equally conservative college dismissed him after he deliberately provoked the college authorities. Smoking was forbidden, but he would smoke cigarillos in his office down the corridor from the president's. He annoyed his landlords by entertaining friends, including women, and was forced out of one house after "[t]wo stewdents found me sharing my meagre repast with the lady—gent impersonator in my privut apartments", he told a friend. When she was discovered the next morning by the landladies, Ida and Belle Hall, his insistence that he had slept on the floor was met with disbelief. Glad to be free of the place, he left for Europe soon after, sailing from New York in March By the end of April he was in Venice , living over a bakery near the San Vio bridge. The London Evening Standard called it "wild and haunting stuff, absolutely poetic, original, imaginative, passionate, and spiritual". The book was dedicated to his friend, the Philadelphia artist William Brooke Smith , who had recently died of tuberculosis. According to modernist scholar James Knapp, Pound rejected the idea of poetry as "versified moral essay"; he wanted to focus on the individual experience, the concrete rather than the abstract. In December he published a second collection, A Quinzaine for This Yule, and after the death of a lecturer at the Regent Street Polytechnic he managed to acquire a position lecturing in the evenings, from January to February , on "The Development of Literature in Southern Europe". He would wear trousers made of green billiard cloth, a pink coat, a blue shirt, a tie hand-painted by a Japanese friend, an immense sombrero, a flaming beard cut to a point, and a single, large blue earring. No one ever presents a cape, or shakes a muleta at him without getting a charge. Through Olivia Shakespear he was introduced to her former lover W. Yeats , in Pound's view the greatest living poet. Pound had sent Yeats a copy of A Lume Spento the previous year, before he left for Venice, and Yeats had apparently found it charming. The men became close friends, although Yeats was older by 20 years. Pound was also introduced to sculptor Henri Gaudier-Brzeska , painter Wyndham Lewis and to the cream of London's literary circle, including the poet T. The American heiress Margaret Lanier Cravens — became a patron; after knowing him a short time she offered a large annual sum to allow him to focus on his work. Cravens killed herself in , after the pianist Walter Rummel , long the object of her affection, married someone else. She may also have been discouraged by Pound's engagement to Dorothy. It was favorably reviewed; one review said it was "full of human passion and natural magic". He loved New York but felt the city was threatened by commercialism and vulgarity, and he no longer felt at home there. Montgomery , visited the architects' offices almost every day to shout at them. On 22 February he sailed from New York on the R. Mauretania , arriving in Southampton six days later. When he returned to London in August , A. Orage , editor of the socialist journal The New Age , hired him to write a weekly column, giving him a steady income. Pound introduced her to his friends, including the poet Richard Aldington , whom she would marry in Before that the three of them lived in Church Walk, Kensington—Pound at no. The museum's visitors' books show that Pound was often found during and in the Print Room examining Japanese ukiyo-e , some inscribed with Japanese waka verse , a genre of poetry whose economy and strict conventions likely contributed to Imagist techniques of composition. What obfuscated me was not the Italian but the crust of dead English, the sediment present in my own available vocabulary You can't go round this sort of thing. It takes six or eight years to get educated in one's art, and another ten to get rid of that education. Neither can anyone learn English, one can only learn a series of Englishes. Rossetti made his own language. I hadn't in made a language, I don't mean a language to use, but even a language to think in. While in the British Museum tearoom one afternoon, they decided to begin a 'movement' in poetry, called Imagism. Imagisme, Pound would write in Riposte, is "concerned solely with language and presentation". They agreed on three principles: Direct treatment of the "thing" whether subjective or objective. To use absolutely no word that does not contribute to the presentation. He wrote that the natural object was always the "adequate symbol". Poets should "go in fear of abstractions", and should not re-tell in mediocre verse what has already been told in good prose. All that day I tried to find words for what this made me feel. He may have been inspired by a Suzuki Harunobu print he almost certainly saw in the British Library Richard Aldington mentions the specific prints he matched to verse , and probably attempted to write haiku-like verse during this period. Michael Alexander describes the poems as showing a greater concentration of meaning and economy of rhythm than his earlier work. Alexander writes that in some circles, Pound's translations made him more unpopular than the treason charge, and the reaction to The Seafarer was a rehearsal for the negative response to Homage to Sextus Propertius in Pound was fascinated by the translations of Japanese poetry and Noh plays which he discovered in the papers of Ernest Fenollosa , an American professor who had taught in Japan. Fenollosa had studied Chinese poetry under Japanese scholars; in his widow, Mary McNeil Fenollosa, decided to give his unpublished notes to Pound after seeing his work; she was looking for someone who cared about poetry rather than philology. Alexander thinks this is the most attractive of Pound's work. Pound often followed the translations made by Herbert Giles in his History of Chinese Literature  and used Fenollosa's work as a starting point for what he called the ideogrammic method , which proceeded on Fenellosa's entirely mistaken but fruitful idea that each character represented an image or pictograph, based on sight rather than sound. Yao does not view Pound's lack of Chinese as an obstacle, and states that the poet's trawl through centuries of scholarly interpretations resulted in a genuine understanding of the original poem. Yeats invited Pound to spend the winter of — with him in Sussex. Lawrence , Yeats, H. The Imagist movement began to attract attention from critics. They stayed there for 10 weeks, reading and writing, walking in the woods and fencing. It was the first of three winters they spent together at Stone Cottage, including two with Dorothy after she and Pound married on 20 April Her parents eventually consented, perhaps out of fear that she was getting older with no other suitor in sight. Pound's concession to marry in church helped convince them. Pound took the opportunity to extend the definition of Imagisme to art, naming it Vorticism: But Hilda and Richard were already moving away from Pound's understanding of the movement, as he aligned more with Wyndham Lewis's ideas. When Lowell agreed to finance an anthology of Imagist poets, Pound's work was not included. Upset at Lowell, he began to call Imagisme "Amygism", and in July he declared the movement dead and asked that the group not continue to call themselves Imagists. They dissented, not believing that the movement was Pound's invention, and Lowell eventually Anglicized the term. In he persuaded Poetry to publish T. Eliot 's " The Love Song of J. Eliot had sent "Prufrock" to almost every editor in England, but was rejected. He eventually sent it to Pound, who instantly saw it as a work of genius and submitted it to Poetry. Most of the swine have done neither. He told a friend in August: About a year later, in January , he had the first three trial cantos, distilled to one, published as Canto I in Poetry. From he wrote music reviews for The New Age under the pen name William Atheling, and weekly pieces for The Egoist and The Little Review ; many of the latter were directed against provincialism and ignorance. The volume of writing exhausted him. He feared he was wasting his time writing outside poetry,  exclaiming that he "must stop writing so much prose". Pound was deeply affected by the war. He was devastated when Henri Gaudier-Brzeska, from whom he had commissioned a sculpture of himself two years earlier, was killed in the trenches in A Memoir the following year, in reaction to what he saw as an unnecessary loss. He asked the publisher for a raise to hire year-old Iseult Gonne as a typist, causing rumors that Pound was having an affair with her, but he was turned down. When he included this in his next poetry collection in , he had renamed it Homage to Sextus Propertius in response to criticism of his translation skills. Harriet Monroe, editor of Poetry, published a letter from a professor of Latin, W. Hale , saying that Pound was "incredibly ignorant" of the language, and alluded to "about three-score errors" in Homage. Monroe did not publish Pound's response, which began "Cat-piss and porcupines!! Moore interpreted Pound's silence after that as his resignation as foreign editor.
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